The Camerawork Essays. Context and Meaning in Photography.
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Copy number Shelfmark Shelf mark R004723 Ned. Fotomuseum $T EVANS.J 1997
TitleThe Camerawork Essays. Context and Meaning in Photography.
Author
Photographer
Place of publicationLondon
PublisherRivers Oram Press, London, GB
Year of publication1997
Pagination264
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
ISBN1-85489-0808
Bibliographic Notesindex, notes, cb;
SubjectBloemlezing, Autobiografische fotografie, Kritische theorie en fotografie, Culturele studies en fotografie, modefotografie, Mass Observation, GB (1938), Filosofie en fotografie, Theorie van de fotografie, Feminisme en fotografie: GB (Groot-Britannië)
Abstract
Texts :
I. THE PHOTOGRAPH: CONTEXTS OF/FOR MEANING :
1. John Berger: Ways of Remembering (no. 10, July 1978) ;
2. John A. Walker: Context as a Determinant of Photographic Meaning. (no. 14, July 1980) ;
3. John Tagg: The World of Photography or Photography of the World? (no. 6, April 1977) ;
4. Victor Burgin: Art, Common Sense and Photography (no. 3, July 1976) ;
II. PHOTOGRAPHY OF HISTORY, OR PHOTOGRAPHS AS HISTORY? :
5. Don Slater: The Object of Photography (no. 26, 1983) ;
6. David Green: On Foucault: Disciplinary Power and Photography (no. 32, Summer 1985) ;
7. David Alan Mellor: Mass Observation: The Intelectual Climate (no. 11, Sept. 1978) ;
8. Don MacPherson: Nation, Mandate, Memory. (no. 11, Sept. 1978) ;
9. Terry Smith: Pictured History: The Matchgirls' Strike 18888 (no. 17, Jan./Febr. 1980) ;
III. INSTITUTIONS AND IDEOLOGIES IN/OF PHOTOGRAPHY :
10. Don Slater: Marketing the Medium: An Anti-Marketing report. (no. 18, march 1980) ;
11. Kathy Myers: Towards a feminist Erotica (no. 24, March 1982) ;
12. Rosetta Brooks: Fashion: Double-Page Spread. (no. 17, Jan./Febr. 1980) ;
13. Left in Sight. An Interview with Stuart Hall (no. 29, Winter 1983/84) ;
14. Kathy Myers: Loves Labour Lost. (no. 29, Winter 1983/84) ;
15. Jessica Evans: An Affront to Taste? The Disturbances of Jo Spence ;
INDEX.
I. THE PHOTOGRAPH: CONTEXTS OF/FOR MEANING :
1. John Berger: Ways of Remembering (no. 10, July 1978) ;
2. John A. Walker: Context as a Determinant of Photographic Meaning. (no. 14, July 1980) ;
3. John Tagg: The World of Photography or Photography of the World? (no. 6, April 1977) ;
4. Victor Burgin: Art, Common Sense and Photography (no. 3, July 1976) ;
II. PHOTOGRAPHY OF HISTORY, OR PHOTOGRAPHS AS HISTORY? :
5. Don Slater: The Object of Photography (no. 26, 1983) ;
6. David Green: On Foucault: Disciplinary Power and Photography (no. 32, Summer 1985) ;
7. David Alan Mellor: Mass Observation: The Intelectual Climate (no. 11, Sept. 1978) ;
8. Don MacPherson: Nation, Mandate, Memory. (no. 11, Sept. 1978) ;
9. Terry Smith: Pictured History: The Matchgirls' Strike 18888 (no. 17, Jan./Febr. 1980) ;
III. INSTITUTIONS AND IDEOLOGIES IN/OF PHOTOGRAPHY :
10. Don Slater: Marketing the Medium: An Anti-Marketing report. (no. 18, march 1980) ;
11. Kathy Myers: Towards a feminist Erotica (no. 24, March 1982) ;
12. Rosetta Brooks: Fashion: Double-Page Spread. (no. 17, Jan./Febr. 1980) ;
13. Left in Sight. An Interview with Stuart Hall (no. 29, Winter 1983/84) ;
14. Kathy Myers: Loves Labour Lost. (no. 29, Winter 1983/84) ;
15. Jessica Evans: An Affront to Taste? The Disturbances of Jo Spence ;
INDEX.
| Copy number | R004723 |
| Institution name | |
| Shelf mark | $T EVANS.J 1997 |