In/Different Spaces. Place and Memory in Visual Culture.

[From the "blurb" : ]
Burgin understands images less in traditional terms of the specific
institutions that produce them, such as cinema, photography, advertising
and television, and more as hybrid mental constructs composed of fragments
derived from the heterogeneous soources that together constitute the
"media".
Analysis of a photograph by Helmut Newton, Parisian cityscapes, the space
of a department store, a film by Ousmane Sembène, and the writings of Henri
Lefebvre, André Breton, Roland Barthes.
Introduction regards the developments of the cultural studies school
around Stuart Hall and the use of semiology therin.