Welcome to the jungle. New positions in black cultural studies.
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Copy number Shelfmark Shelf mark R002860 Ned. Fotomuseum $CS MERCER.K 1994
TitleWelcome to the jungle. New positions in black cultural studies.
Author
Photographer
Place of publicationNew York
PublisherRoutledge
Year of publication1994
Pagination339
Illustrationsb&w
DimensionsA5
MaterialTekstboek
Document TypeBook
ISBN0-415-906350
Bibliographic Notesnotes, bibl., index, pb;
SubjectCulturele studies, Representatie en fotografie, Representatie van gekleurde mensen, Representatie van seksuele verschillen, Homo en lesbische fotografie
Abstract
Chapters:
1. 0. Black Britain and the Cultural Politics of Diaspora.
1. Monster Metaphors: Notes on Michael Jackson's Thriller.
2. Diaspora Culture and the Dialogic Imagination: The Aesthetic of Black
Independent Film in Britain.
3. Recoding Narratives of Race and Nation.
4. Black air / Style Politics.
5. Black Masculinity and the Sexual Politics of Race: True Confessions;
Racism and the Politics of Masculinity; AIDS, Racism and Homophobia;
Engendered Species.
6. Reading Racial fetishism: The Photographs of Robert Mapplethorpe.
Imaging The Black Man's Sex (1986); Skin Head Sex Thing: Racial Difference
and the Homoerotic Imaginary (1989).
7. Dark & Lovely: Black Gay Image-Making.
8. Black Art and the Burden of Representation.
9. Welcome to the Jungle: Identity and Diversity in Postmodern Politics.
10. "1968": Periodizing Politics and Identity.
1. 0. Black Britain and the Cultural Politics of Diaspora.
1. Monster Metaphors: Notes on Michael Jackson's Thriller.
2. Diaspora Culture and the Dialogic Imagination: The Aesthetic of Black
Independent Film in Britain.
3. Recoding Narratives of Race and Nation.
4. Black air / Style Politics.
5. Black Masculinity and the Sexual Politics of Race: True Confessions;
Racism and the Politics of Masculinity; AIDS, Racism and Homophobia;
Engendered Species.
6. Reading Racial fetishism: The Photographs of Robert Mapplethorpe.
Imaging The Black Man's Sex (1986); Skin Head Sex Thing: Racial Difference
and the Homoerotic Imaginary (1989).
7. Dark & Lovely: Black Gay Image-Making.
8. Black Art and the Burden of Representation.
9. Welcome to the Jungle: Identity and Diversity in Postmodern Politics.
10. "1968": Periodizing Politics and Identity.
| Copy number | R002860 |
| Institution name | |
| Shelf mark | $CS MERCER.K 1994 |