Image Ethics. The Moral Rights of Subjects in Photographs, Film, and Television.
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Copy number Shelfmark Shelf mark R003260 Ned. Fotomuseum $T GROSS.L 1988
TitleImage Ethics. The Moral Rights of Subjects in Photographs,
Film, and Television.
Author
Place of publicationNew York
PublisherOxford University Press
Year of publication1988
Pagination382
DimensionsA4
MaterialTekstboek
Document TypeBook
Series titleCommunication and Society
ISBN0-19-5067800
Bibliographic Notessel. annotated bibliography, pb;
SubjectEthiek en fotografie, Recht en fotografie, Fotografie als onderzoeksmethode, Fotojournalistiek, Representatie en fotografie, Representatie van seksuele verschillen, Ethiek en fotojournalistiek
Abstract
Texts:
0. H.S. Becker: Images, Ethics, and Organizations ;
1. Gross a.o.: Intro - A Moral Pause ;
2. B. Winston: The Tradition of the Victim in Griersonian
Documentary ;
3. A. Anderson / T. Benson: Direct Cinema and the Myth of
Informed
Consent: The Case of Toiticut Follies ;
4. L. Henderson: Access and Consent in Public Photography ;
5. R. Aibel: Ethics and Professionalism in Documentary
Film-making ;
6. Katz: Ethics and the Perception of ethics in
Autobiographical Film ;
7. J. Viera: Images as Property ;
8. Beauchamp / Klaidman: A Study in Multiple Forms of Bias ;
9. Gross: The Ethics of (Mis)representation ;
10. J. Shaheen: Perspectives on the Television Arab ;
11. J. Hostetler / D. Kraybill: Hollywood Markets the Amish ;
12. T. Volkman: Out of South-Africa: The Gods Must Be Crazy ;
13. T. Waugh: Lesbian and gay Documentary: Minority
Self-Imaging,
Oppositional Film Practice, and the Question of Image Ethics ;
Selected Annotated Bibliography.
0. H.S. Becker: Images, Ethics, and Organizations ;
1. Gross a.o.: Intro - A Moral Pause ;
2. B. Winston: The Tradition of the Victim in Griersonian
Documentary ;
3. A. Anderson / T. Benson: Direct Cinema and the Myth of
Informed
Consent: The Case of Toiticut Follies ;
4. L. Henderson: Access and Consent in Public Photography ;
5. R. Aibel: Ethics and Professionalism in Documentary
Film-making ;
6. Katz: Ethics and the Perception of ethics in
Autobiographical Film ;
7. J. Viera: Images as Property ;
8. Beauchamp / Klaidman: A Study in Multiple Forms of Bias ;
9. Gross: The Ethics of (Mis)representation ;
10. J. Shaheen: Perspectives on the Television Arab ;
11. J. Hostetler / D. Kraybill: Hollywood Markets the Amish ;
12. T. Volkman: Out of South-Africa: The Gods Must Be Crazy ;
13. T. Waugh: Lesbian and gay Documentary: Minority
Self-Imaging,
Oppositional Film Practice, and the Question of Image Ethics ;
Selected Annotated Bibliography.
| Copy number | R003260 |
| Institution name | |
| Shelf mark | $T GROSS.L 1988 |