Photographers on Photography. A Critical Anthology.
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Copy number Shelfmark Shelf mark R003344 Ned. Fotomuseum $T LYONS.N 1966 R010722 Ned. Fotomuseum $T LYONS.N 1966
TitlePhotographers on Photography. A Critical Anthology.
Author
Photographer
Place of publicationEnglewood Cliffs, Rochester
PublisherGeorge Eastman House, Prentice-Hall
Year of publication1966
Pagination190
Dimensions23 cm.
MaterialTekstboek
Document TypeBook
Series titleFoundation of Modern Photography Series
Bibliographic Notesbio-bibliographies, pb;
SubjectBloemlezing, Geschiedenis van de fotografie, Fotografische infrastructuur: USA, Kunstenaars uitspraken
Persons keyword Rochester George Eastman House, New York, USA
Abstract
Texts :
1. Berenice Abbott :
It Has To Walk Alone (1951) ;
Photography at the Crossroads (1951) ;
2. Ansel Adams :
What is Good Photography ? (1940) ;
A Personal Credo (1944) ;
Introduction to Portfolio One (1948) ;
3. Francis Bruguiere :
Creative Photography (1935) ;
4. Wynn Bullock :
Space and Time (1962) ;
5. Harry Callahan :
An Adventure in Photography (1946) ;
6. Henri Cartier-Bresson :
Introduction to The Decisive Moment (1952) ;
7. Alvin Landon Coburn :
The Relation of Time to Art (1911) ;
The Future of Pictorial Photography (1916) ;
8. Robert Demachy :
On The Straight Print (1907) ;
9. Peter H. Emerson :
Science and Art (1899) ;
10. Robert Frank :
A Statement (1958) ;
11. Dorothea Lange :
Documentary Photography (1940) ;
Photographung the Familiar (1952) ;
12. Laslo Moholy-Nagy :
Light - A Medium of Plastic Expression (1923) ;
From Pigment to Light (1936) ;
13. Man Ray :
The Age of Light (1934) ;
14. Henri P. Robinson :
Paradoxes of Art, Science, and Photography (1890) ;
15. Arthur Siegel :
Fifty Years of Documentary (1951) ;
16. Aaron Siskind :
The Drama of Objects (1945) ;
Credo (1956) ;
17. Henry Holmes Smith :
Photography in Our Time (1961) ;
18. W. Eugene Smith :
Photographic Journalism (1948) ;
Eugene Smith Photography (1954) ;
The World's 10 Greatest Photographers (1958) ;
19. Edward Steichen :
On Photography (1960) ;
20. Alfred Stieglitz :
The Hand Camera - Its Present Importance (1897) ;
How I Came To Photograph Clouds (1923) ;
Alfred Stieglitz: Four Happenings (1942) ;
21. Paul Strand :
Photography (1917) ;
Photography and The New God (1922) ;
The Art Motive in Photography (1923) ;
22. Edward Weston :
Photography - Not Pictorial (1930) ;
A Contemporary Means to Creative Expression (1932) ;
Seeing Photographically (1943) ;
23. Minor White :
The Camera Mind and Eye (1952) ;
Equivalence: The Perennial Trend (1963)
Biographical Notes & Selected Bibliographies.
1. Berenice Abbott :
It Has To Walk Alone (1951) ;
Photography at the Crossroads (1951) ;
2. Ansel Adams :
What is Good Photography ? (1940) ;
A Personal Credo (1944) ;
Introduction to Portfolio One (1948) ;
3. Francis Bruguiere :
Creative Photography (1935) ;
4. Wynn Bullock :
Space and Time (1962) ;
5. Harry Callahan :
An Adventure in Photography (1946) ;
6. Henri Cartier-Bresson :
Introduction to The Decisive Moment (1952) ;
7. Alvin Landon Coburn :
The Relation of Time to Art (1911) ;
The Future of Pictorial Photography (1916) ;
8. Robert Demachy :
On The Straight Print (1907) ;
9. Peter H. Emerson :
Science and Art (1899) ;
10. Robert Frank :
A Statement (1958) ;
11. Dorothea Lange :
Documentary Photography (1940) ;
Photographung the Familiar (1952) ;
12. Laslo Moholy-Nagy :
Light - A Medium of Plastic Expression (1923) ;
From Pigment to Light (1936) ;
13. Man Ray :
The Age of Light (1934) ;
14. Henri P. Robinson :
Paradoxes of Art, Science, and Photography (1890) ;
15. Arthur Siegel :
Fifty Years of Documentary (1951) ;
16. Aaron Siskind :
The Drama of Objects (1945) ;
Credo (1956) ;
17. Henry Holmes Smith :
Photography in Our Time (1961) ;
18. W. Eugene Smith :
Photographic Journalism (1948) ;
Eugene Smith Photography (1954) ;
The World's 10 Greatest Photographers (1958) ;
19. Edward Steichen :
On Photography (1960) ;
20. Alfred Stieglitz :
The Hand Camera - Its Present Importance (1897) ;
How I Came To Photograph Clouds (1923) ;
Alfred Stieglitz: Four Happenings (1942) ;
21. Paul Strand :
Photography (1917) ;
Photography and The New God (1922) ;
The Art Motive in Photography (1923) ;
22. Edward Weston :
Photography - Not Pictorial (1930) ;
A Contemporary Means to Creative Expression (1932) ;
Seeing Photographically (1943) ;
23. Minor White :
The Camera Mind and Eye (1952) ;
Equivalence: The Perennial Trend (1963)
Biographical Notes & Selected Bibliographies.
| Copy number | R003344 |
| Institution name | |
| Shelf mark | $T LYONS.N 1966 |
| Copy number | R010722 |
| Institution name | |
| Shelf mark | $T LYONS.N 1966 |