Photography/Politics: Two. Photography Workshop.
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Copy number Shelfmark Shelf mark R000255 Ned. Fotomuseum $T HOLLAND.P 1986 R002192 Ned. Fotomuseum $T HOLLAND.P 1986
TitlePhotography/Politics: Two. Photography Workshop.
Author
Photographer
Iconographic keywords
Place of publicationLondon
PublisherComedia Publishing Group
Year of publication1986
Pagination198
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
ISBN0-906890-896
Bibliographic Notescb;
SubjectReclame, Autobiografische fotografie, billboards, Economie van de fotografie, Onderwijs en fotografie, Geschiedenis van de wetenschappelijke fotografie, Beeld en Tekst, Photosynthese, Fototherapie, Gaatjescamera fotografie, Representatie en fotografie, Representatie van gekleurde mensen, Representatie van seksuele verschillen, Representatie van vrouwen, Seksuele omgangsvormen, Oorlog en fotografie, Theorie van de fotografie, Eugenetica en fotografie, Politiek en fotografie: GB (Groot-Britannië), Documentaire fotografie (teksten over)
Abstract
Texts :
Introduction: The Politics and sexual Politics of Photography ;
PART I. THE BODY :
1. David Green: Veins of Resemblance. Photography and Eugenetics ;
2. Fleming / Lapointe: Object Lesson / The Bodysnatchers ;
3. Coward / Spence: Body talk? ;
4. P. Holland: What is a Child? ;
5. David Bellmay: Windows and Danger. On Billboards and Cigarette Advertisements;
6. Kobena Mercer: Imaging the Black Man's Sex ;
PART II. WAR :
7. Wombell: Face to Face with Themselves. Photography and the First World War.
8. Silvana Rivoir: The Soldier Photographer ;
9. Stuart Hood: War Photographs and Masculinity ;
PART III. PRACTICE :
10. Dewdney / Lister: The Celebration of Identity. A Discussion of Young People's Self-representation ;
11. Leeson / Dunn: The changing Picture ;
12. Nicky West: Pinhole Photography: We All Have The technology ;
13. Anne Krisman: "You Shout at us one minute, you take photographs the next". ;
14. Graham Sytokes: A Family Like Any Other ;
15. Sarah McCarthy: Autobiographies ;
16. Laura Mulvey: Magnificent Obsession ;
PART IV. INSTITUTION :
17. Sekula: Reading an Archive. Photography between Labour and Capital ;
18. Gupta: Northern Media, Southern Lives ;
19. Donald Lush: The White Rug ;
20. Terry Morden: Documentary. Past. Future?
21. Spence: The Sign of a site of class struggle. Reflections on Works by John Hearfield ;
22. Watney: On the institutions of Photography.
Introduction: The Politics and sexual Politics of Photography ;
PART I. THE BODY :
1. David Green: Veins of Resemblance. Photography and Eugenetics ;
2. Fleming / Lapointe: Object Lesson / The Bodysnatchers ;
3. Coward / Spence: Body talk? ;
4. P. Holland: What is a Child? ;
5. David Bellmay: Windows and Danger. On Billboards and Cigarette Advertisements;
6. Kobena Mercer: Imaging the Black Man's Sex ;
PART II. WAR :
7. Wombell: Face to Face with Themselves. Photography and the First World War.
8. Silvana Rivoir: The Soldier Photographer ;
9. Stuart Hood: War Photographs and Masculinity ;
PART III. PRACTICE :
10. Dewdney / Lister: The Celebration of Identity. A Discussion of Young People's Self-representation ;
11. Leeson / Dunn: The changing Picture ;
12. Nicky West: Pinhole Photography: We All Have The technology ;
13. Anne Krisman: "You Shout at us one minute, you take photographs the next". ;
14. Graham Sytokes: A Family Like Any Other ;
15. Sarah McCarthy: Autobiographies ;
16. Laura Mulvey: Magnificent Obsession ;
PART IV. INSTITUTION :
17. Sekula: Reading an Archive. Photography between Labour and Capital ;
18. Gupta: Northern Media, Southern Lives ;
19. Donald Lush: The White Rug ;
20. Terry Morden: Documentary. Past. Future?
21. Spence: The Sign of a site of class struggle. Reflections on Works by John Hearfield ;
22. Watney: On the institutions of Photography.
| Copy number | R000255 |
| Institution name | |
| Shelf mark | $T HOLLAND.P 1986 |
| Copy number | R002192 |
| Institution name | |
| Shelf mark | $T HOLLAND.P 1986 |