Photography at the Dock. Essays on Photographic History, Institutions, and Practices.
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Copy number Shelfmark Shelf mark R002527 Ned. Fotomuseum $T SOLOMON.A 1991
TitlePhotography at the Dock. Essays on Photographic History, Institutions, and Practices.
Photographer
Place of publicationMinneapolis
PublisherUniversity of Minnesota Press
Year of publication1991
Pagination322
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
Series titleMedia & Society. 4
ISBN0-8166-1914X
Bibliographic Notesindex, notes, cb;
SubjectKunst en fotografie, Kunst met fotografie, Authenticiteit, Fotokritiek, documentaire fotografie, Post-modernisme en fotografie, Representatie en fotografie, Representatie van seksuele verschillen, Theorie van de fotografie
Abstract
Texts :
PART I. THE POLITICS OF AESTHETICISM :
1. Calotypomania: The Gourmet Guide to 19th Century Photography ;
2. Canon Fodder: Authoring Eugène Atget ;
3. The Armed Vision Disarmed: Radical Formalism from Weapon to Style ;
PART II. PHOTOGRAPHY AND POSTMODERNISM :
4. Playing in the Fields of the Image ;
5. Photography after Art Photography ;
6. Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics ;
PART III. RETHINKING DOCUMENTARY :
7. A Photographer in Jerusalem, 1855 : Auguste Salzman and His Times ;
8. Who is Speaking Thus? ;
9. Reconstructing Documentary: Connie Hatch's Representational Resistance ;
PART IV. PHOTOGRAPHY AND SEXUAL DIFFERENCE :
10. Reconsidering Erotic Photography : Notes for a project of Historical Salvage ;
11. Just like a Woman ;
12. Sexual Difference: Both Sides of the Camera ;
Notes / Index.
PART I. THE POLITICS OF AESTHETICISM :
1. Calotypomania: The Gourmet Guide to 19th Century Photography ;
2. Canon Fodder: Authoring Eugène Atget ;
3. The Armed Vision Disarmed: Radical Formalism from Weapon to Style ;
PART II. PHOTOGRAPHY AND POSTMODERNISM :
4. Playing in the Fields of the Image ;
5. Photography after Art Photography ;
6. Living with Contradictions: Critical Practices in the Age of Supply-Side Aesthetics ;
PART III. RETHINKING DOCUMENTARY :
7. A Photographer in Jerusalem, 1855 : Auguste Salzman and His Times ;
8. Who is Speaking Thus? ;
9. Reconstructing Documentary: Connie Hatch's Representational Resistance ;
PART IV. PHOTOGRAPHY AND SEXUAL DIFFERENCE :
10. Reconsidering Erotic Photography : Notes for a project of Historical Salvage ;
11. Just like a Woman ;
12. Sexual Difference: Both Sides of the Camera ;
Notes / Index.
| Copy number | R002527 |
| Institution name | |
| Shelf mark | $T SOLOMON.A 1991 |