Art after Modernism: Rethinking Representation
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Copy number Shelfmark Shelf mark R003102 Ned. Fotomuseum $T WALLIS.B 1984
TitleArt after Modernism: Rethinking Representation
Author
Edition[editie] 7th. printing 1995
Photographer
Place of publicationNew York
Year of publication1984
Pagination461
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
Series titleDocumentary Sources in Contemporary Art
ISBN0-87923-6329
Bibliographic Notesanthology, bibliography, index, pb;
SubjectAppropriation, Kunsttheorie, Kritische theorie en fotografie, Feminisme en fotografie, Post-modernisme en fotografie, Representatie en fotografie, Culturele politiek, Mediakritiek, Fototijdschriften: PL (Polen)
Abstract
Texts :
1. Borges: Pierre Menard, Author of the Quixote ;
2. Krauss: The Originality of the Avant-Garde: A Postmodern Repetition ;
3. Kathy Acker: Realism for the Cause of Future Revolution ;
4. Robert Hughes: The Rise of Andy Warhol ;
5. J. Hoberman: After Avant-Garde Film ;
6. Solomon-Godeau: Photography After Art Photography ;
7. Mary Kelly: Re-Viewing Mosernist Criticism ;
8. Buchloh: Figures of Authority, Ciphers of Regression ;
9. Kuspit: Flak from the "Radicals": The American Case against German Painting ;
10. Lawson: Last Exit: Painting ;
11. Barthes: From Work to Text ;
12. Crimp: Pictures ;
13. Hal Foster: Re: Post ;
14. Craig Owens: The Allegorical Impulse: Toward a Theory of Postmodernism ;
15. Jameson: Progress Versus Utopia; or, Can We Imagine the Future? ;
16. Baudrillard: The Precession of Simulacra ;
17. Jonathan Crary: Eclispe of the Spectacle ;
18. Benjamin: The Author as Producer ;
19. Martha Rosler: Lookers, Buyers, Dealers, and Makers: Thoughts on Audience ;
20. Lippard: Trojan Horses: Activist Art and Power ;
21. Mulvey: Visual Pleasure and Narrative Cinema ;
22. Constance Penley: "A Certain Refusal of Difference:: Feminist Film Theory ;
23. Kate Linker: Representation and Sexuality ;
24. Foucault: The Subject and Power ;
Bibliography ;
Index ; Contributors.
1. Borges: Pierre Menard, Author of the Quixote ;
2. Krauss: The Originality of the Avant-Garde: A Postmodern Repetition ;
3. Kathy Acker: Realism for the Cause of Future Revolution ;
4. Robert Hughes: The Rise of Andy Warhol ;
5. J. Hoberman: After Avant-Garde Film ;
6. Solomon-Godeau: Photography After Art Photography ;
7. Mary Kelly: Re-Viewing Mosernist Criticism ;
8. Buchloh: Figures of Authority, Ciphers of Regression ;
9. Kuspit: Flak from the "Radicals": The American Case against German Painting ;
10. Lawson: Last Exit: Painting ;
11. Barthes: From Work to Text ;
12. Crimp: Pictures ;
13. Hal Foster: Re: Post ;
14. Craig Owens: The Allegorical Impulse: Toward a Theory of Postmodernism ;
15. Jameson: Progress Versus Utopia; or, Can We Imagine the Future? ;
16. Baudrillard: The Precession of Simulacra ;
17. Jonathan Crary: Eclispe of the Spectacle ;
18. Benjamin: The Author as Producer ;
19. Martha Rosler: Lookers, Buyers, Dealers, and Makers: Thoughts on Audience ;
20. Lippard: Trojan Horses: Activist Art and Power ;
21. Mulvey: Visual Pleasure and Narrative Cinema ;
22. Constance Penley: "A Certain Refusal of Difference:: Feminist Film Theory ;
23. Kate Linker: Representation and Sexuality ;
24. Foucault: The Subject and Power ;
Bibliography ;
Index ; Contributors.
| Copy number | R003102 |
| Institution name | |
| Shelf mark | $T WALLIS.B 1984 |