Germany. The New Photography. 1927-1933.
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Copy number Shelfmark Shelf mark R002137 Ned. Fotomuseum $T MELLOR.D 1978
TitleGermany. The New Photography. 1927-1933.
Author
Photographer
PublisherArts Council of Great Britain
Year of publication1978
MaterialTekstboek
Document TypeBook
ISBN0-7287-01855
Bibliographic Notes136 pp., ill. b&w, index, notes, pb;
SubjectArbeiter Illustrierte Zeitung, AIZ, tijdschrift, D, Arbeiter-Fotograf, fototijdschrift, D, Arbeiterfotografie, Kunst met fotografie, Kritische theorie en fotografie, documentaire fotografie, Film und Foto, Stuttgart, 1929 {tentoonstelling}, Geschiedenis van de fotografie: D (Duitsland), Geschiedenis van de fotojournalistiek, Nieuwe zakelijkheid, Neue Sehen, Politiek en fotografie, Propaganda en fotografie, Geschiedenis van de geïllustreerde pers: D (Duitsland)
Persons keyword London Arts Council, GB
Abstract
Chapters: part 1: Original Documents, Statements and
Criticisms. a. the new objectivity - Renger-Patzsch and
Blossfeldt; b. Franz Roh and the Film und Foto exhibition; c.
Political perspectives and the Arbeiterfotograf; d. Faces and
social types - Sander and Lerski; e. the criticism of Walter
Benjamin; part 2: Current Perspectives. a. Newhall (1977):
Photo Eye of the 1920s: The Deutsche Werkbund Exhibition of
1929; b. Molderings (1978): Urbanism and Technological
Utopianism. Thoughts on the Photography of Neue Sachlichkeit
and The Bauhaus; c. Brian Stokoe (1978): Renger-Patzsch: The
New Realist Photographer; d. Eskildsen (1978): Photography and
the Neue Sachlichkeit Movement; e. Mellor (1978): London -
Berlin - London: a cultural history. The reception and
influence of the New German Photography in Britain 1927-1933.
Criticisms. a. the new objectivity - Renger-Patzsch and
Blossfeldt; b. Franz Roh and the Film und Foto exhibition; c.
Political perspectives and the Arbeiterfotograf; d. Faces and
social types - Sander and Lerski; e. the criticism of Walter
Benjamin; part 2: Current Perspectives. a. Newhall (1977):
Photo Eye of the 1920s: The Deutsche Werkbund Exhibition of
1929; b. Molderings (1978): Urbanism and Technological
Utopianism. Thoughts on the Photography of Neue Sachlichkeit
and The Bauhaus; c. Brian Stokoe (1978): Renger-Patzsch: The
New Realist Photographer; d. Eskildsen (1978): Photography and
the Neue Sachlichkeit Movement; e. Mellor (1978): London -
Berlin - London: a cultural history. The reception and
influence of the New German Photography in Britain 1927-1933.
| Copy number | R002137 |
| Institution name | |
| Shelf mark | $T MELLOR.D 1978 |