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Copy number Shelfmark Shelf mark R006776 Ned. Fotomuseum $T HIRSCH.M 1999
TitleThe Familial Gaze.
Author
Andrea Liss
Deborah Willis
Ernst van Alphen
Larry Sultan
Annette Kuhn
Jane Gallop
Valerie Smith
Mieke Bal
Marianne Hirsch
Anne Higonnet
Marita Sturken
Laura Levitt
Ann Burlein
Joanne Leonard
Laura Wexler
Leo Spitzer
Deborah E. McDowell
Elizabeth Abel
Albert Chong
Art Spiegelman
Dick Blau
Nancy K. Miller
Lorie Novak
Photographer
Weems, Carrie Mae (USA, 1953)
Weston, Edward (USA, 1886-1958)
Sligh, Clarissa T. (USA, 1939)
Leonard, Joanne (USA, 1940)
Sultan, Larry (USA, 1946-2009)
Mann, Sally (USA, 1951)
Boltanski, Christian (F, 1944-2021)
Chong, Albert (USA, 1958)
Novak, Lorie (USA, 1954)
Kessel, Dmitri (SU/USA, 1902-1995)
Blau, Dick (USA, 1943)
Spiegelman, Art (USA, 1948)
Cox, Renée (JA/USA, 1958?)
Iconographic keywords
portretten, familie
Place of publicationDartmouth
PublisherUniversity Press of New England
Year of publication1999
Pagination358
Illustrationsb&w
DimensionsA4
MaterialTekstboek
Document TypeBook
Bibliographic Notespb;
SubjectAlbum fotografie, Kunst met fotografie, Culturele studies en fotografie, Gezinsfotografie, Feminisme en fotografie, Postmortem fotografie, Representatie van vrouwen, Dood en fotografie, Representatie van ras
Persons keyword Dartmouth College Hood Museum of Art, Dartmouth, GB
Abstract
Chapters :
1. Marianne Hirsch: Introduction: Familial Looking ;
PART I: Family Albums :
2. Larry Sultan: Pictures from Home ;
3. Lorie Novak: Collected Visions ;
4. Ernst van Alphen: Nazism in the Family Album: Christian Boiltanski's "Sans Soucis" ;
5. Nancy Miller: Putting Ourselves in the Picture: Memoirs and Mourning ;
6. Jane Gallop / Dick Balu: Observations of a Mother ;
7. Valerie Smith: Photography, Narrative and Ideology in "Suzanne Suzanne" and "Finding Christa" by Camille Billops and James V. Hatch ;
8. Art Spiegelman: Mein kampf (My Struggle) ;
PART II: Double Exposures :
9. Albert Chong: The Sisters and Aunt Winnie ;
10. Deborah Willis: A Search for Self: The Photograph and Black Family Life ;
11. Elizabeth Abel: Domestic Borders, Cultural Boundaries: Black Feminist Re-view the Family ;
12.Deborah McDowell: Viewing the Remains: A Polemic on Death, Spectacle and the [Black] Family ;
13. Marita Sturken: The Image as Memorial: Personal Photographs in Cultural Memory ;
14. Annette Kuhn: A Meeting of Two Queens: An Exercise in Memory Work ;
15. Leo Spitzer: The Album and the Crossing ;
PART III: Resisting Images :
16. Mieke Bal: All in the Family: Familiarity and Estrangement According to Marcel Proust ;
17. Laura Wexler: Seeing Sentiment: Photography, Race, and the Innocent Eye ;
18. Andrea Liss: Black Bodies in Evidence: Maternal Visibility in Renee Cox's Family Portraits ;
19. Joanne Leonard: Photography, Feminism, and the Good Enough Mother ;
20. Ann Burlein: Focusing on the Family: Family Pictures and the Politics of the Religious Right ;
21. Anne Higonnet: Conclusions Based on Observation ;
22. Larua Levitt: Blurring the Familial: An Afterword.
1. Marianne Hirsch: Introduction: Familial Looking ;
PART I: Family Albums :
2. Larry Sultan: Pictures from Home ;
3. Lorie Novak: Collected Visions ;
4. Ernst van Alphen: Nazism in the Family Album: Christian Boiltanski's "Sans Soucis" ;
5. Nancy Miller: Putting Ourselves in the Picture: Memoirs and Mourning ;
6. Jane Gallop / Dick Balu: Observations of a Mother ;
7. Valerie Smith: Photography, Narrative and Ideology in "Suzanne Suzanne" and "Finding Christa" by Camille Billops and James V. Hatch ;
8. Art Spiegelman: Mein kampf (My Struggle) ;
PART II: Double Exposures :
9. Albert Chong: The Sisters and Aunt Winnie ;
10. Deborah Willis: A Search for Self: The Photograph and Black Family Life ;
11. Elizabeth Abel: Domestic Borders, Cultural Boundaries: Black Feminist Re-view the Family ;
12.Deborah McDowell: Viewing the Remains: A Polemic on Death, Spectacle and the [Black] Family ;
13. Marita Sturken: The Image as Memorial: Personal Photographs in Cultural Memory ;
14. Annette Kuhn: A Meeting of Two Queens: An Exercise in Memory Work ;
15. Leo Spitzer: The Album and the Crossing ;
PART III: Resisting Images :
16. Mieke Bal: All in the Family: Familiarity and Estrangement According to Marcel Proust ;
17. Laura Wexler: Seeing Sentiment: Photography, Race, and the Innocent Eye ;
18. Andrea Liss: Black Bodies in Evidence: Maternal Visibility in Renee Cox's Family Portraits ;
19. Joanne Leonard: Photography, Feminism, and the Good Enough Mother ;
20. Ann Burlein: Focusing on the Family: Family Pictures and the Politics of the Religious Right ;
21. Anne Higonnet: Conclusions Based on Observation ;
22. Larua Levitt: Blurring the Familial: An Afterword.
| Copy number | R006776 |
| Institution name | |
| Shelf mark | $T HIRSCH.M 1999 |