1. Mead: Visual Anthropology in a Discipline of Words ;
2. Emilie de Brigard: The History of Ethnographic Film ;
3. John Weakland: Feature Films as Cultural Documents ;
4. Mark McCarty: McCarty's Law and How to Break it ;
5. Jean Rouch: The Camera and Man ;
6. Colin Young: Observational Cinema ;
7. David MacDougall: Beyond Observational Cinema ;
8. John Marshall / Emilie de Brigard: Idea and Event in Urban
Film ;
9. E. Sorenson / Allison Jablonko: Research Film of Naturally
Occurring
Phenomena: Basic Strategies ;
10. Jean-Dominique Lajoux: Ethnographic Film and History ;
11. Asen Balikci: Reconstructing Cultures on Film ;
12. Stuart Struever: The Role of Film in Archeology ;
13. Joanna Cohan Scherer: Ethnographic Photography in
Anthropological
Research ;
14. Jean Rouch: Our Totemic Ancestors and Crazed Masters ;
15. John Collier: Photography and Visual Anthropology ;
16. Joseph Schaeffer: Videotape: New Techniques of Observation
and
Analysis in Anthropology ;
17. J.H. Prost: Filming Body Behavior ;
18. Alan Lomax: Audiovisual Tools for the Analysis of Culture
Style ;
19. Timothy and Patsy Asch: Film in Ethnographic Research ;
20. Faye Ginsburg: Ethnographies on the Airwaves ;
21. Yasuhiro Omori: The First Videotheque ;
22. Sabine Jell-Bahlsen: Funding Ethnographic Film and Video ;
23. Yasuko Ichioka: Ethnographic Filmmaking for Japanese TV ;
24. Roger Sandall: Matters of fact ;
25. Edmund Carpenter: The Tribal terror of Self-Awareness ;
26. E. Sorenson: Visual Records, Human Knowledge and the Future
;
27. Paul Hockings: Conclusion: Ethnographic Filming and
Anthorpological
Theory ; Notes, biographical Notes, Indexes of Film, Names and
Subjects.