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Copy number Shelfmark Shelf mark H004107 huis Marseille M-SERRANO-A-2016 R025694 Ned. Fotomuseum USA MON SERANO.A 2016
TitleSalvation: The Holy Land
Author
Nissan Perez
Andres Serrano
Avi Sabag
Photographer
Serrano, Andres (USA, 1950)
Iconographic keywords
portretten: joden, Israel
portretten: Palestijnen
portretten, soldaten
portretten naar nationaliteit
religies
Place of publicationOstfildern
PublisherHatje Cantz
Year of publication2016
Pagination225
Illustrationscolour
Dimensions32,5 x 24 cm.
MaterialMonografie
Document TypeBook
ISBN9783775741248
Bibliographic Noteshc
Subjectportretfotografie, Religie en fotografie, Maatschappij en fotografie
Geographical keywordIsraƫl
Persons keyword the Naggar school of art Musrara
Abstract
A new look at Israel beyond the ubiquitous news images
Andres Serrano, one of the most celebrated representatives of international contemporary photography and art, achieved major prominence for his work Piss Christ which to this day has not lost any of its unsettling impact. Religion, sexuality, and death are pervasive elements of his oeuvre. Raised as a Catholic in Williamsburg, Brooklyn, he became curious about the Hasidic community there from an early age. An invitation to Israel also expanded his artistic strategy: using a Mamiya RB67, he approached the subject of religious faith via the landscape and the people. He visited sacred sites, Bethlehem, Galilee, and the Dead Sea; came closer to people step by step, picture by picture, following them through their everyday lives and to celebrations, to ultimately depict the traces of the identity of an entire nation in their faces in intense studio photographs. Striking testimony captured on film shortly before the resurgence of the Middle East conflict.
source: www.hatjecantz.de
Andres Serrano, one of the most celebrated representatives of international contemporary photography and art, achieved major prominence for his work Piss Christ which to this day has not lost any of its unsettling impact. Religion, sexuality, and death are pervasive elements of his oeuvre. Raised as a Catholic in Williamsburg, Brooklyn, he became curious about the Hasidic community there from an early age. An invitation to Israel also expanded his artistic strategy: using a Mamiya RB67, he approached the subject of religious faith via the landscape and the people. He visited sacred sites, Bethlehem, Galilee, and the Dead Sea; came closer to people step by step, picture by picture, following them through their everyday lives and to celebrations, to ultimately depict the traces of the identity of an entire nation in their faces in intense studio photographs. Striking testimony captured on film shortly before the resurgence of the Middle East conflict.
source: www.hatjecantz.de
| Copy number | H004107 |
| Institution name | |
| Shelf mark | M-SERRANO-A-2016 |
| Copy number | R025694 |
| Institution name | |
| Shelf mark | USA MON SERANO.A 2016 |