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Exemplaarnummer Plaatscode Signatuur R003102 Ned. Fotomuseum $T WALLIS.B 1984
TitelArt after Modernism: Rethinking Representation
Auteur
Jean Baudrillard
Jonathan Crary
Douglas Crimp
Hal Foster
Fredric Jameson
Donald Kuspit
Thomas Lawson
Kate Linker
Lucy Lippard
Laura Mulvey
Abigail Solomon-Godeau
Marcia Tucker
Brian Wallis
Kathy Acker
Benjamin H.D. Buchloh
Martha Rosler
Walter Benjamin
Roland Barthes
Michel Foucault
Constance Penley
Craig Owens
Mary Kelly
J. Hoberman
Robert Hughes
Jorge Luis Borges
Rosalind E. Krauss
Editie[editie] 7th. printing 1995
Fotograaf
Rauschenberg, Robert (USA, 1925-2008)
Ruscha, Ed (USA, 1937)
Sherman, Cindy (USA, 1954)
Warhol, Andy (USA, 1928-1987)
Avedon, Richard (USA, 1923-2004)
Burgin, Victor (GB, 1941)
Smithson, Robert (USA, 1938-1973)
Weston, Edward (USA, 1886-1958)
Hatch, Connie (USA, 1951)
Wodiczko, Krzysztof (PL/CDN, 1943)
Becher, Bernd und Hilla (D)
Beveridge, Karl (CDN, 1945)
Condé, Carole (CDN, 1940)
Kruger, Barbara (USA, 1945)
Prince, Richard (USA, 1949)
Rosler, Martha (USA, 1942)
Kelly, Mary (USA, 1941)
Charlesworth, Sarah E. (USA, 1947-2013)
Haacke, Hans (D/USA, 1936)
Levine, Sherrie (USA, 1947)
Longo, Robert (USA, 1953)
Leeson, Lorraine (GB, 1951)
Dunn, Peter (GB, 1946)
Heartfield, John (D, 1891-1968)
LeWitt, Sol (USA, 1928-2007)
Nauman, Bruce (USA, 1941)
Simmons, Laurie (USA, 1949)
Kosuth, Joseph (USA, 1945)
Rosenbach, Ulrike (D, 1943)
Schwarzkogler, Rudolf (A, 1940-1969)
Buren, Daniël (F, 1938)
McCollum, Allan (USA, 1944)
Casebere, James (USA, 1953)
Bender, Gretchen (USA, 1951)
Welling, James (USA, 1951)
Kolbowski, Silvia (RA/USA, 1953)
Baselitz, Georg (D, 1938) ps. of. Georg Kern
Schnabel, Julian (USA, 1951)
Holzer, Jenny (USA, 1950)
Anderson, Laurie (USA, 1947)
Mullican, Matt (USA, 1951)
Group Material, (USA, 1979) artists group
Bloom, Barbara (USA, 1951)
Leo, Vince (USA, 1949)
Lichtenstein, Roy (USA, 1923-1997)
Rodin, Auguste (F, 1840-1917) sculptor
Weiner, Lawrence (USA, 1942-2021)
Fekner, John (USA)
Rupp, Christy (USA) act. c.1979
Plaats van uitgaveNew York
UitgeverDavid R. Godine, New Museum of Contemporary Art
Jaar van uitgave1984
Pagina's461
Illustratiesb&w
FormaatA4
MateriaalTekstboek
DocumenttypeBoek
ReeksDocumentary Sources in Contemporary Art
ISBN0-87923-6329
Annotatieanthology, bibliography, index, pb;
TrefwoordAppropriation, Kunsttheorie, Kritische theorie en fotografie, Feminisme en fotografie, Post-modernisme en fotografie, Representatie en fotografie, Culturele politiek, Mediakritiek, Fototijdschriften: PL (Polen)
Samenvatting
Texts :
1. Borges: Pierre Menard, Author of the Quixote ;
2. Krauss: The Originality of the Avant-Garde: A Postmodern Repetition ;
3. Kathy Acker: Realism for the Cause of Future Revolution ;
4. Robert Hughes: The Rise of Andy Warhol ;
5. J. Hoberman: After Avant-Garde Film ;
6. Solomon-Godeau: Photography After Art Photography ;
7. Mary Kelly: Re-Viewing Mosernist Criticism ;
8. Buchloh: Figures of Authority, Ciphers of Regression ;
9. Kuspit: Flak from the "Radicals": The American Case against German Painting ;
10. Lawson: Last Exit: Painting ;
11. Barthes: From Work to Text ;
12. Crimp: Pictures ;
13. Hal Foster: Re: Post ;
14. Craig Owens: The Allegorical Impulse: Toward a Theory of Postmodernism ;
15. Jameson: Progress Versus Utopia; or, Can We Imagine the Future? ;
16. Baudrillard: The Precession of Simulacra ;
17. Jonathan Crary: Eclispe of the Spectacle ;
18. Benjamin: The Author as Producer ;
19. Martha Rosler: Lookers, Buyers, Dealers, and Makers: Thoughts on Audience ;
20. Lippard: Trojan Horses: Activist Art and Power ;
21. Mulvey: Visual Pleasure and Narrative Cinema ;
22. Constance Penley: "A Certain Refusal of Difference:: Feminist Film Theory ;
23. Kate Linker: Representation and Sexuality ;
24. Foucault: The Subject and Power ;
Bibliography ;
Index ; Contributors.
1. Borges: Pierre Menard, Author of the Quixote ;
2. Krauss: The Originality of the Avant-Garde: A Postmodern Repetition ;
3. Kathy Acker: Realism for the Cause of Future Revolution ;
4. Robert Hughes: The Rise of Andy Warhol ;
5. J. Hoberman: After Avant-Garde Film ;
6. Solomon-Godeau: Photography After Art Photography ;
7. Mary Kelly: Re-Viewing Mosernist Criticism ;
8. Buchloh: Figures of Authority, Ciphers of Regression ;
9. Kuspit: Flak from the "Radicals": The American Case against German Painting ;
10. Lawson: Last Exit: Painting ;
11. Barthes: From Work to Text ;
12. Crimp: Pictures ;
13. Hal Foster: Re: Post ;
14. Craig Owens: The Allegorical Impulse: Toward a Theory of Postmodernism ;
15. Jameson: Progress Versus Utopia; or, Can We Imagine the Future? ;
16. Baudrillard: The Precession of Simulacra ;
17. Jonathan Crary: Eclispe of the Spectacle ;
18. Benjamin: The Author as Producer ;
19. Martha Rosler: Lookers, Buyers, Dealers, and Makers: Thoughts on Audience ;
20. Lippard: Trojan Horses: Activist Art and Power ;
21. Mulvey: Visual Pleasure and Narrative Cinema ;
22. Constance Penley: "A Certain Refusal of Difference:: Feminist Film Theory ;
23. Kate Linker: Representation and Sexuality ;
24. Foucault: The Subject and Power ;
Bibliography ;
Index ; Contributors.
| Exemplaarnummer | R003102 |
| Instellingsnaam | |
| Signatuur | $T WALLIS.B 1984 |