Starburst : Color Photography in America 1970 to 1980
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Exemplaarnummer Plaatscode Signatuur R015807 Ned. Fotomuseum USA EXH CINCINNATI 2010 F003585 FOAM USA ANTH MOORE.K 2010
TitelStarburst : Color Photography in America 1970 to 1980
Auteur
Corporatieve auteur
Editie[editie] 1. Aufl.
Fotograaf
Plaats van uitgaveOstfildern
UitgeverHatje Cantz
Jaar van uitgave2010
Pagina's271 p.
Illustratiescolour
Formaat30 x 25 cm.
MateriaalTentoonstellingscatalogus
DocumenttypeBoek
ISBN9783775724906
Elektronisch document
http://fotomuseum.adlibhosting.com/texts/015807_Kevin_Moore_Starburst_2010.pdf
Persoonstrefwoord Cincinatti Cincinatti Art Museum, USA
Samenvatting
[with the exhibiton Starburst: Color Photography in America 1970-1980 Cincinnati Art Museum February 13 - May 9, 2010]
We cite from the cover:
"Starburst: Color Photography in America 1970-1980 offers the first historical survey of what critics in the seventies called "The New Color Photography." Conservative critics saw this controversial color photography, which was featured in many exhibitions and essays throughout the decade, as an assault on established standards for black-and-white art photography, while others recognized in work by William Eggleston, Stephen Shore, and others an approach informed by photography's ubiquitous role in contemporary life. Addressing various themes, such as the technological factors contributing to color's emergence, cultural biases against color photography's use as an art form, and shifting attitudes between formalist and conceptual practices, authors Kevin Moore, James Crump, and Leo Rubinfien explore color's role in the transition between modern and contemporary approaches to art photography during the seventies."
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Facsimile view of Table of Contents, please click URL.
We cite from the cover:
"Starburst: Color Photography in America 1970-1980 offers the first historical survey of what critics in the seventies called "The New Color Photography." Conservative critics saw this controversial color photography, which was featured in many exhibitions and essays throughout the decade, as an assault on established standards for black-and-white art photography, while others recognized in work by William Eggleston, Stephen Shore, and others an approach informed by photography's ubiquitous role in contemporary life. Addressing various themes, such as the technological factors contributing to color's emergence, cultural biases against color photography's use as an art form, and shifting attitudes between formalist and conceptual practices, authors Kevin Moore, James Crump, and Leo Rubinfien explore color's role in the transition between modern and contemporary approaches to art photography during the seventies."
*
Facsimile view of Table of Contents, please click URL.
| Exemplaarnummer | R015807 |
| Instellingsnaam | |
| Signatuur | USA EXH CINCINNATI 2010 |
| Exemplaarnummer | F003585 |
| Instellingsnaam | |
| Signatuur | USA ANTH MOORE.K 2010 |