Critical Decade. Black Photography in the 80s.
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Exemplaarnummer Plaatscode Signatuur R003394 Ned. Fotomuseum GB ANTH BAILEY.D 1992 R022598 Ned. Fotomuseum GB ANTH BAILEY.D 1992
TitelCritical Decade. Black Photography in the 80s.
Auteur
Fotograaf
Iconografisch trefwoord
Plaats van uitgaveBirmingham (GB)
UitgeverTen. 8
Jaar van uitgave1992
Pagina's160
IllustratiesZwart-Wit en kleur
FormaatA4
MateriaalAnthologie
DocumenttypeBoek
ReeksTen.8 Vol. 2 No. 3 Spring 1992
Annotatiepb;
TrefwoordZwarte fotografen, Zwarte vrouwlijke fotografen, documentaire fotografie, Representatie van gekleurde mensen, Autograph, kunstenaarsgroep, GB
Geografisch trefwoordGroot-Brittannië
Samenvatting
Texts:
1. Critical Decade: an introduction by David A. Bailey and Stuart Hall.
2. Powers of Perception: photographic images by Franklyn Rodgers.
3. The Vertigo of Displacement: shifts within black documentary practices by David A. Bailey and Stuart Hall with images by David Lewis, Vanley Burke & Franklyn Rodgers.
4. Identity and the black photographic image; Text by Stuart Hall with images by Armet Francis, Joy Gregory and Vincent Stokes.
5. Black to my Routes: a postscript to the 80s by Kobena Mercer.
6. True Confessions: a discourse on black male sexuality by Isaac Julien and Kobena Mercer.
7. Hateful Contraries/Transitory Moments; Pratihba Parmar analysis of Asian women images in the mainstream media and how these and other images are being contested by the work of migrant/black women photographers in Britain
8. Aurat Shakti; Mumtaz Karimjee and Amina Patel reflections on their experience in documenting Asian women using photography.
9. Traces of Ecstasy. Rotimi Fáni-Kayode examines his own photographic work in relation to discourses within masculinity and African culture
10. From 'Intimate Distance' 'via 'Photovideo' to 'The Colours of Asia'; photographic work by Sutapa Biswas, Zarina Bhimji, Sonia Boyce, Keith Piper, Chila Burman and Samena Rana.
11. Desire and Black Men; Sunil Gupta using his own work and mainstream images of masculinity examines the male Asian experience in relation to debates that have emerged from the black gay movement.
12. Redrawing the Boundaries; Gilane Tawadros looks at the importance of the highly constructed documentary work of David Lewis and Maxine Walker.
13. Colour: Skin I'm In; Saldaan (formerly Derrick McClintock) explores the shifting representations of the light/black subject within photographic discourses.
14. Recreations; America's most prolific writer/curator Kellie Jones examines the work of key black/migrant women photographers such as: Roshini Kempadoo, Ingrid Pollard, Mitra Tabrizian, Zarina
Bhimji, Pat Ward Williams, Carrie Mae Weams, Clarissa Sligh and Lorna Simpson.
15 Reconstruction Work; Stuart Hall examines the context in which black documentary practices are disseminated and read, with images by Vincent Stokes.
16. Photography against the grain; new work by Claudette Holmes, Peter Max Kandhola, Valerie Brown, Susan Banton, and Jeni McKenzie.
17. Blackness as a cultural ikon; Eddie Chambers asks whether it is possible to subvert negative black imagery such as the golliwog image for progressive anti-racist work.
18. Wearing your art On your sleeve; Paul Gilroy explores the photographic imagery on black album covers, claiming that these undervalued documents act as visual mediators that have historically made statements about the black diaspora.
19. Blackned Images; Sonali Fernando explores how the 'new style' of advertising in the form of Intercity, Volkswagon and Benetton are still addressing older questions around the use of black images.
20. Mis[sed] Representations; recent work by David Lewis and Mumtaz Karimjee commissioned by Autograph.
21. Distiling the Essence; an analysis of ESSENCE and the construction of black feminity by Rita Keegan.
22. Listings; a comprehensive guide to black photographic activity in the 80s by Maxine Miller.
1. Critical Decade: an introduction by David A. Bailey and Stuart Hall.
2. Powers of Perception: photographic images by Franklyn Rodgers.
3. The Vertigo of Displacement: shifts within black documentary practices by David A. Bailey and Stuart Hall with images by David Lewis, Vanley Burke & Franklyn Rodgers.
4. Identity and the black photographic image; Text by Stuart Hall with images by Armet Francis, Joy Gregory and Vincent Stokes.
5. Black to my Routes: a postscript to the 80s by Kobena Mercer.
6. True Confessions: a discourse on black male sexuality by Isaac Julien and Kobena Mercer.
7. Hateful Contraries/Transitory Moments; Pratihba Parmar analysis of Asian women images in the mainstream media and how these and other images are being contested by the work of migrant/black women photographers in Britain
8. Aurat Shakti; Mumtaz Karimjee and Amina Patel reflections on their experience in documenting Asian women using photography.
9. Traces of Ecstasy. Rotimi Fáni-Kayode examines his own photographic work in relation to discourses within masculinity and African culture
10. From 'Intimate Distance' 'via 'Photovideo' to 'The Colours of Asia'; photographic work by Sutapa Biswas, Zarina Bhimji, Sonia Boyce, Keith Piper, Chila Burman and Samena Rana.
11. Desire and Black Men; Sunil Gupta using his own work and mainstream images of masculinity examines the male Asian experience in relation to debates that have emerged from the black gay movement.
12. Redrawing the Boundaries; Gilane Tawadros looks at the importance of the highly constructed documentary work of David Lewis and Maxine Walker.
13. Colour: Skin I'm In; Saldaan (formerly Derrick McClintock) explores the shifting representations of the light/black subject within photographic discourses.
14. Recreations; America's most prolific writer/curator Kellie Jones examines the work of key black/migrant women photographers such as: Roshini Kempadoo, Ingrid Pollard, Mitra Tabrizian, Zarina
Bhimji, Pat Ward Williams, Carrie Mae Weams, Clarissa Sligh and Lorna Simpson.
15 Reconstruction Work; Stuart Hall examines the context in which black documentary practices are disseminated and read, with images by Vincent Stokes.
16. Photography against the grain; new work by Claudette Holmes, Peter Max Kandhola, Valerie Brown, Susan Banton, and Jeni McKenzie.
17. Blackness as a cultural ikon; Eddie Chambers asks whether it is possible to subvert negative black imagery such as the golliwog image for progressive anti-racist work.
18. Wearing your art On your sleeve; Paul Gilroy explores the photographic imagery on black album covers, claiming that these undervalued documents act as visual mediators that have historically made statements about the black diaspora.
19. Blackned Images; Sonali Fernando explores how the 'new style' of advertising in the form of Intercity, Volkswagon and Benetton are still addressing older questions around the use of black images.
20. Mis[sed] Representations; recent work by David Lewis and Mumtaz Karimjee commissioned by Autograph.
21. Distiling the Essence; an analysis of ESSENCE and the construction of black feminity by Rita Keegan.
22. Listings; a comprehensive guide to black photographic activity in the 80s by Maxine Miller.
| Exemplaarnummer | R003394 |
| Instellingsnaam | |
| Signatuur | GB ANTH BAILEY.D 1992 |
| Exemplaarnummer | R022598 |
| Instellingsnaam | |
| Signatuur | GB ANTH BAILEY.D 1992 |