[TOC] Études photographiques nr. 24, november 2009 : Financial Elites and Photographic Creation

TABLE OF CONTENTS
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THEME : Financial Elites and Photographic Creation
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p. 33 : Funding a Photographic Elite. Nineteenth-century Photographic Societies and the Financing of Photography as a Mark of Social Distinction. by Paul-Louis ROUBERT
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p. 61 : Putting the European Avant-garde to Work for Capitalism. Walter P. Paepcke and the Alliance of Art and Business in the United States (1930-1950). by Julie JONES
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p. 93 : From Empire to Marketplace. Agfa and the Rebuilding of the German Photography Industry after 1945. by Anaïs FEYEUX,
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PORTFOLIO: p. 106 : Michel CAMPEAU, Sur la chambre noire / On the Darkroom
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p. 139 : East: The History of a Corporate Commission and the History of a Region. by Raphaële BERTHO,
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p. 171 : From the Picture Archive to the Image Bank. Commercializing the Visual through Photography: The Bettmann Archive and Corbis by Estelle BLASCHKE
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p. 199 : Shared Images: How the Internet Has Transformed the Image Economy. by André GUNTHERT,
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For facsimilé copies of Table of Contents and English Summaries or the editors site, please click URL