Maskeraden weiblicher Bildlichkeit. 'Ringl + Pit' und die Werbefotografie der Weimarer Republik 1929-1933. (Mascarades of Female Imagery. Ringl + Pit and Advertising Photography during the Weimar Republic, 1929-1933)
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Exemplaarnummer Plaatscode Signatuur R072406 Ned. Fotomuseum Ned. fotomuseum
TitelMaskeraden weiblicher Bildlichkeit. 'Ringl + Pit' und die
Werbefotografie der Weimarer Republik 1929-1933. (Mascarades of
Female Imagery. Ringl + Pit and Advertising Photography during
the Weimar Republic, 1929-1933)
Auteur
Editie[nummer] 29
[tijdschrift; titel] FOTOGESCHICHTE
[tijdschrift; pagina] 39-48
Fotograaf
Jaar van uitgave1988
Materiaalartikel
DocumenttypeArtikel
Trefwoordreclamefotografie, Geschiedenis van de fotografie: D (Duitsland), Representatie van vrouwen, Berliner Illustrirte Zeitung, BIZ, dagblad, D, Die Dame, tijdschrift, D (c.1930)
Samenvatting
'Ringl + Pit' is the name of the photography studio run by two
German women photographers: Ellen Auerbach and Grete Stern. The
representation of women in advertising around 1930 is studied in
relation to the work of the Ringl + Pit studio. An earlier
version of the article appeared in 'The Print Collectors
Newsletter' (1985, XVI/3, p. 89-93). (German).
City University of New York,
Citaten:
Miesel, U.E.: Ein Magazin auf dem Kriegspfad (Gebrauchsgrafik, v.9, i.12, dez. 1932, p.52)
Ewen, S.: Captains of Consciousness (1977)
Grossmann, A.: The New Women and the Rationalization of Sex (1983)
Burgin, V.: Photography, Phantasy, Function (in: Thinking Phot. 1982)
Baudrillard, J.: Fetischusmus und Ideologie (in: For a critique of the political economy of sign, 1981)
Holscher, E.: Der photograph Finsel (Gebrauchsgrafik v.8, i.4, april 1931)
Doane, M.A.: Film and the Masquerade (Screen, Autumn 1982, p.76)
Riviere, J.: Womanliness as a Masquerade (1966)
Grossmann, A.: Abortioan and the Economic Crisis, The 1931 Campaign (1984)
Hausen, K.: Mother's Day in the Weimarer Republik (1984)
Schalcher, T.: Fotostudien Ringl + Pit (Gebrauchsgrafik, VIII/2, Febr. 1931, p.35)
German women photographers: Ellen Auerbach and Grete Stern. The
representation of women in advertising around 1930 is studied in
relation to the work of the Ringl + Pit studio. An earlier
version of the article appeared in 'The Print Collectors
Newsletter' (1985, XVI/3, p. 89-93). (German).
City University of New York,
Citaten:
Miesel, U.E.: Ein Magazin auf dem Kriegspfad (Gebrauchsgrafik, v.9, i.12, dez. 1932, p.52)
Ewen, S.: Captains of Consciousness (1977)
Grossmann, A.: The New Women and the Rationalization of Sex (1983)
Burgin, V.: Photography, Phantasy, Function (in: Thinking Phot. 1982)
Baudrillard, J.: Fetischusmus und Ideologie (in: For a critique of the political economy of sign, 1981)
Holscher, E.: Der photograph Finsel (Gebrauchsgrafik v.8, i.4, april 1931)
Doane, M.A.: Film and the Masquerade (Screen, Autumn 1982, p.76)
Riviere, J.: Womanliness as a Masquerade (1966)
Grossmann, A.: Abortioan and the Economic Crisis, The 1931 Campaign (1984)
Hausen, K.: Mother's Day in the Weimarer Republik (1984)
Schalcher, T.: Fotostudien Ringl + Pit (Gebrauchsgrafik, VIII/2, Febr. 1931, p.35)
| Exemplaarnummer | R072406 |
| Instellingsnaam | |
| Signatuur | Ned. fotomuseum |