I'm a real photographer : Keith Arnatt, photographs 1974-2002
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Exemplaarnummer Plaatscode Signatuur R013189 Ned. Fotomuseum GB MON ARNATT.K 2007 F001674 FOAM GB MON ARNATT.K 2007
TitelI'm a real photographer : Keith Arnatt, photographs 1974-2002
Fotograaf
Plaats van uitgaveLondon
Jaar van uitgave2007
Pagina's151 p.
IllustratiesZwart-Wit en kleur
Formaat24 x 22 cm.
MateriaalMonografie
DocumenttypeBoek
ISBN97819057120521905712057
Annotatiehc; biography;
Persoonstrefwoord Swansea Glynn Vivian Art Gallery, Wales, GB
Samenvatting
Published to coincide with the exhibition "I'm a real photographer" at The Photographers' Gallery, 28 June-26 August 2007 and subsequently at the Glynn Vivian Art Gallery, Swansea, Wales, 19 January-30 March 2008.
Contents: -- Brett Rogers: Foreword -- David Hurn: Keith Arnatt, Photographer -- Keith Arnatt: Photographs 1974-2002 -- Clare Grafik: Keith Arnatt, Context -- Biography.
We cite from the "blurb":
Born in Oxford in 1930 and now retired, Keith Arnatt's life as an artist falls into two distinct parts. In the late 1960s his iconoclastic and witty performances, sculptures and texts, challenging the tenets of 'art', established him as an influential Conceptual artist. His work was seen at the Hayward and Tate galleries in London and the Museum of Modern Art in New York. But then in the mid 1970s, in an act defying the prevailing values of the art world, Arnatt chose to become a photographer instead. Over the following 28 years he immersed himself in the history of photography, making progressive photo series in the immediate vicinity of his home in South Wales. --
Nineteen series of photographs are featured here - and in The Photographers' Gallery exhibition - in the first comprehensive account of Arnatt's photography. Each series explores the conventions of the medium with a distinct edge and humour; seen together, the threads and themes of Arnatt's work connect to make a coherent statement about the act of photography and its relationship to the history of art. The narrative of Arnatt's unique journey in photography proves surprising, provocative and, ultimately, moving. --
Accompanying 160 of Arnatt's photographs reproduced here is a personal account of Arnatt's journey by David Hum - Magnum photographer, author and Arnatt's close friend and colleague. With a foreword by Brett Rogers - Director of The Photographers' Gallery, and an illustrated contextual essay exploring the links between his Conceptual art and his photography, by Clare Grafik - curator of The Photographers' Gallery.
Contents: -- Brett Rogers: Foreword -- David Hurn: Keith Arnatt, Photographer -- Keith Arnatt: Photographs 1974-2002 -- Clare Grafik: Keith Arnatt, Context -- Biography.
We cite from the "blurb":
Born in Oxford in 1930 and now retired, Keith Arnatt's life as an artist falls into two distinct parts. In the late 1960s his iconoclastic and witty performances, sculptures and texts, challenging the tenets of 'art', established him as an influential Conceptual artist. His work was seen at the Hayward and Tate galleries in London and the Museum of Modern Art in New York. But then in the mid 1970s, in an act defying the prevailing values of the art world, Arnatt chose to become a photographer instead. Over the following 28 years he immersed himself in the history of photography, making progressive photo series in the immediate vicinity of his home in South Wales. --
Nineteen series of photographs are featured here - and in The Photographers' Gallery exhibition - in the first comprehensive account of Arnatt's photography. Each series explores the conventions of the medium with a distinct edge and humour; seen together, the threads and themes of Arnatt's work connect to make a coherent statement about the act of photography and its relationship to the history of art. The narrative of Arnatt's unique journey in photography proves surprising, provocative and, ultimately, moving. --
Accompanying 160 of Arnatt's photographs reproduced here is a personal account of Arnatt's journey by David Hum - Magnum photographer, author and Arnatt's close friend and colleague. With a foreword by Brett Rogers - Director of The Photographers' Gallery, and an illustrated contextual essay exploring the links between his Conceptual art and his photography, by Clare Grafik - curator of The Photographers' Gallery.
| Exemplaarnummer | R013189 |
| Instellingsnaam | |
| Signatuur | GB MON ARNATT.K 2007 |
| Exemplaarnummer | F001674 |
| Instellingsnaam | |
| Signatuur | GB MON ARNATT.K 2007 |