The new woman international : Representations in photography and film from the 1870s through the 1960s
-
Exemplaarnummer Plaatscode Signatuur R022080 Ned. Fotomuseum $VR OTTO.E 2011
TitelThe new woman international : Representations in photography and film from the 1870s through the 1960s
Auteur
Plaats van uitgaveAnn Arbor
UitgeverUniversity of Michigan Press
Jaar van uitgave2011
Pagina's[360 ] p.
Illustratiesb&w
Formaat24 x 15 cm.
MateriaalTekstboek
DocumenttypeBoek
ISBN9780472071043
Elektronisch document
http://fotomuseum.adlibhosting.com/texts/022080_Otto_en_Rocco_2011_The_New_Woman_International.pdf
AnnotatieIncludes bibliographical references and index.
TrefwoordFeminisme en fotografie, Geschiedenis en fotografie, Representatie en fotografie, Vrouwlijke fotografen
Samenvatting
We cite from the COVER:
"Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman — symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. These original essays examine the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media and probe the significance of radical changes in female fashion, appearance, and sexual identity."
"The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades."
*
For facsimile view of Table of Contents please click URL
"Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman — symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. These original essays examine the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media and probe the significance of radical changes in female fashion, appearance, and sexual identity."
"The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades."
*
For facsimile view of Table of Contents please click URL
| Exemplaarnummer | R022080 |
| Instellingsnaam | |
| Signatuur | $VR OTTO.E 2011 |