Design and crime : and other diatribes
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Exemplaarnummer Plaatscode Signatuur R020814 Ned. Fotomuseum $T FOSTER.H 2003
TitelDesign and crime : and other diatribes
Auteur
Editie[editie] Paperback ed., 1 publ.
Fotograaf
Plaats van uitgaveLondon
UitgeverVerso
Jaar van uitgave2003
Pagina'sXV, 176 p.
Illustratiesb&w
Formaat20 x 13 cm.
MateriaalTekstboek
DocumenttypeBoek
ReeksRadical thinkers
ISBN9781844676705
Elektronisch document
http://fotomuseum.adlibhosting.com/texts/020814_Hal_Foster_2003_Design_and_Crime.pdf
AnnotatieIncludes bibliographical references and index.
Samenvatting
We cite from the COVER:
"Over the years, Hal Foster's criticism has inspired a politically charged postmodernism of resistance. This book throws the targets of this resistance into sharp relief. Foster argues that design - inflated by capitalist forces to influence everything from magazines to medicine — fuels a society of insatiable consumerism, at once constraining and deterritorializing, narcissistic and hollow. With polemical precision, his essays engage leading architects Frank Gehry and Rem Koolhaas on the rise of spectacle-architecture and the global city and, in the second half of the book, excavate the contested sites of art history, the museum, art criticism, and the ostensible end of art. The result signals a possible new path for twenty-first-century art."
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For facsimile view of Table of Contents please click URL
"Over the years, Hal Foster's criticism has inspired a politically charged postmodernism of resistance. This book throws the targets of this resistance into sharp relief. Foster argues that design - inflated by capitalist forces to influence everything from magazines to medicine — fuels a society of insatiable consumerism, at once constraining and deterritorializing, narcissistic and hollow. With polemical precision, his essays engage leading architects Frank Gehry and Rem Koolhaas on the rise of spectacle-architecture and the global city and, in the second half of the book, excavate the contested sites of art history, the museum, art criticism, and the ostensible end of art. The result signals a possible new path for twenty-first-century art."
*
For facsimile view of Table of Contents please click URL
| Exemplaarnummer | R020814 |
| Instellingsnaam | |
| Signatuur | $T FOSTER.H 2003 |