Picturing art history : the rise of the illustrated history of art in the eighteenth century
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Exemplaarnummer Plaatscode Signatuur R017749 Ned. Fotomuseum $KUNST VERMEULEN.I 2010
TitelPicturing art history : the rise of the illustrated history of art in the eighteenth century
Auteur
Plaats van uitgaveAmsterdam
UitgeverAmsterdam University Press
Jaar van uitgave2010
Pagina's358 p.
Illustratiesb&w
Formaat24 x 16 cm.
MateriaalTekstboek
DocumenttypeBoek
ISBN97890896403149789048512782
Elektronisch document
http://fotomuseum.adlibhosting.com/texts/017749_Ingrid_Vermeulen_2010_Picturing_Art_History.pdf
Annotatiemet index, lit. opg.
TrefwoordKunstgeschiedenis, Kunstgeschiedenis en fotografie, Fotografische reproductie van kunst, Geschiedenis van de fotografische reproductie van kunstwerken
Samenvatting
We cite from the COVER:
" Today's book buyer takes for granted that art books will be illustrated with quality full-color reproductions of famous masterpieces. Yet, it was only in the eighteenth century that they began to be illustrated for the first time. In Picturing Art History, Ingrid R. Vermeulen investigates the role that illustrations played in the emergence of the field of art history, arguing that the use of prints and drawings collections by such scholars as Giovanni Bottari, Johann Winckelmann and Jean-Baptiste Seroux d'Agincourt was inextricably bound up with the belief that the artistic past should not be pictured as a history of artists, but as a history of art."
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For facsimile view of Tabel of Contents please click URL
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" Today's book buyer takes for granted that art books will be illustrated with quality full-color reproductions of famous masterpieces. Yet, it was only in the eighteenth century that they began to be illustrated for the first time. In Picturing Art History, Ingrid R. Vermeulen investigates the role that illustrations played in the emergence of the field of art history, arguing that the use of prints and drawings collections by such scholars as Giovanni Bottari, Johann Winckelmann and Jean-Baptiste Seroux d'Agincourt was inextricably bound up with the belief that the artistic past should not be pictured as a history of artists, but as a history of art."
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For facsimile view of Tabel of Contents please click URL
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| Exemplaarnummer | R017749 |
| Instellingsnaam | |
| Signatuur | $KUNST VERMEULEN.I 2010 |