Still moving : between cinema and photography
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Exemplaarnummer Plaatscode Signatuur R015705 Ned. Fotomuseum $T BECKMAN.K 2008
TitelStill moving : between cinema and photography
Auteur
Plaats van uitgaveDurham
UitgeverDuke University Press
Jaar van uitgave2008
Pagina'svi, 312 p.
Illustratiesb&w
Formaat23 x 16 cm.
MateriaalTekstboek
DocumenttypeBoek
ISBN97808223914320822391430
AnnotatieIncludes bibliographical references and index
TrefwoordFilm en fotografie
Samenvatting
We cite from the cover:
""Still Moving engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work—on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies—emerges from the tension of still and moving images."—TOM CON LEY, author of Cartographic Cinema"
CONTENTS:
PART I. BEYOND REFERENTIALITY.
1 What's the Point of an Index? or, Faking Photographs / Tom Gunning.
2. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan.
3 Structural Film: Noise / Juan A. Suárez --
PART II. NATION , MEMORY, HISTORY.
4 An Essay on Calendar / Atom Egoyan.
5 Photography's Absent Times / Jean Ma.
6 The Idea of Still / Rebecca Baron, interviewed by Janet Sarbanes.
7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman.
8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola's Speeder Kills / Rita Gonzalez --
PART III. WORKING BETWEEN MEDIA.
9 Photography's Expanded Field / George Baker.
10 Weekend Campus / Nancy Davenport.
11 Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan.
12 Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff.
13 Concerning "the Photographic" / Raymond Bellour
""Still Moving engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work—on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies—emerges from the tension of still and moving images."—TOM CON LEY, author of Cartographic Cinema"
CONTENTS:
PART I. BEYOND REFERENTIALITY.
1 What's the Point of an Index? or, Faking Photographs / Tom Gunning.
2. "The Forgotten Image between Two Shots" : Photos, Photograms, and the Essayistic / Timothy Corrigan.
3 Structural Film: Noise / Juan A. Suárez --
PART II. NATION , MEMORY, HISTORY.
4 An Essay on Calendar / Atom Egoyan.
5 Photography's Absent Times / Jean Ma.
6 The Idea of Still / Rebecca Baron, interviewed by Janet Sarbanes.
7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman.
8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola's Speeder Kills / Rita Gonzalez --
PART III. WORKING BETWEEN MEDIA.
9 Photography's Expanded Field / George Baker.
10 Weekend Campus / Nancy Davenport.
11 Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan.
12 Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff.
13 Concerning "the Photographic" / Raymond Bellour
| Exemplaarnummer | R015705 |
| Instellingsnaam | |
| Signatuur | $T BECKMAN.K 2008 |