Art History through the Camera's Lens.

CONTENTS :
INTRODUCTION :
1. Introductory Essay: Mary Bergstein : "We May Imagine It": Living with Photographic Reproduction at the End of Our Century ;
ART REPRODUCTION IN TRANSITION FROM ENGRAVING TO PHOTOGRAPHY :
2. Jennifer Montagu: The "Ruland/Raphael Collection" ;
3. Trevor Fawcett: Plane Surfaces and Solid Bodies: Reproducing Three-Dimensional Art in the Nineteenth Century ;
THE EARLY YEARS OF PHOTOGRAPHY :
4. Anthony Hamber: The Use of Photography by Nineteenth-Century Art Historians ;
5. Bernard Berenson on Isochromatic Film: Documents in the History of Visual Documentation ;
6. Robert P. Spindler: Windows to the American Past: Lantern Slides as Historic Evidence ;
ART AND ARCHITECTURAL HISTORIANS AS PHOTOGRAPHERS :
7. Joseph Romano: Connoisseurship and Photography: The Methodology of Mojmir Frinta ;
8. Charles S. Rhyne: A Slide Collection of Constable's Paintings: The Art Historian's Need for Visual Documentation ;
9. Ralph Lieberman: Thoughts of an Art Historian/Photographer on the Relationship of His Two Disciplines ;
PHOTOGRAPHS AS AN AID IN HISTORIC RESTORATION :
10. Wendy Holden: Photography as an Aid in Restoration: The Wall Paintings at Horyu-ji ;
11. Regine Thiriez: Old Photography and the Yuanmingyuan ;
REPRODUCTIVE PHOTOGRAPHY AS IDEOLOGICAL PROPAGANDA :
12. Friedrich Kestel: Walter Hege (1893-1955): "Race Art Photographer" and/or "Master of Photography"? ;
PHOTOGRAPHS SUBSTITUTING FOR THE ABSENT WORK OF ART :
13. Alicia Craig Faxon: Rossetti's Reputation: A Study of the Dissemination of His Art through Photographs ;
COLLECTIONS OF PHOTOGRAPHS AS ART HISTORICAL SOURCES :
14. Brent Maddox: Bunched Images Begetting Ideas ;
Index.