The Familial Gaze.
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Exemplaarnummer Plaatscode Signatuur R006776 Ned. Fotomuseum $T HIRSCH.M 1999
TitelThe Familial Gaze.
Auteur
Fotograaf
Iconografisch trefwoord
Plaats van uitgaveDartmouth
UitgeverUniversity Press of New England
Jaar van uitgave1999
Pagina's358
Illustratiesb&w
FormaatA4
MateriaalTekstboek
DocumenttypeBoek
Annotatiepb;
TrefwoordAlbum fotografie, Kunst met fotografie, Culturele studies en fotografie, Gezinsfotografie, Feminisme en fotografie, Postmortem fotografie, Representatie van vrouwen, Dood en fotografie, Representatie van ras
Persoonstrefwoord Dartmouth College Hood Museum of Art, Dartmouth, GB
Samenvatting
Chapters :
1. Marianne Hirsch: Introduction: Familial Looking ;
PART I: Family Albums :
2. Larry Sultan: Pictures from Home ;
3. Lorie Novak: Collected Visions ;
4. Ernst van Alphen: Nazism in the Family Album: Christian Boiltanski's "Sans Soucis" ;
5. Nancy Miller: Putting Ourselves in the Picture: Memoirs and Mourning ;
6. Jane Gallop / Dick Balu: Observations of a Mother ;
7. Valerie Smith: Photography, Narrative and Ideology in "Suzanne Suzanne" and "Finding Christa" by Camille Billops and James V. Hatch ;
8. Art Spiegelman: Mein kampf (My Struggle) ;
PART II: Double Exposures :
9. Albert Chong: The Sisters and Aunt Winnie ;
10. Deborah Willis: A Search for Self: The Photograph and Black Family Life ;
11. Elizabeth Abel: Domestic Borders, Cultural Boundaries: Black Feminist Re-view the Family ;
12.Deborah McDowell: Viewing the Remains: A Polemic on Death, Spectacle and the [Black] Family ;
13. Marita Sturken: The Image as Memorial: Personal Photographs in Cultural Memory ;
14. Annette Kuhn: A Meeting of Two Queens: An Exercise in Memory Work ;
15. Leo Spitzer: The Album and the Crossing ;
PART III: Resisting Images :
16. Mieke Bal: All in the Family: Familiarity and Estrangement According to Marcel Proust ;
17. Laura Wexler: Seeing Sentiment: Photography, Race, and the Innocent Eye ;
18. Andrea Liss: Black Bodies in Evidence: Maternal Visibility in Renee Cox's Family Portraits ;
19. Joanne Leonard: Photography, Feminism, and the Good Enough Mother ;
20. Ann Burlein: Focusing on the Family: Family Pictures and the Politics of the Religious Right ;
21. Anne Higonnet: Conclusions Based on Observation ;
22. Larua Levitt: Blurring the Familial: An Afterword.
1. Marianne Hirsch: Introduction: Familial Looking ;
PART I: Family Albums :
2. Larry Sultan: Pictures from Home ;
3. Lorie Novak: Collected Visions ;
4. Ernst van Alphen: Nazism in the Family Album: Christian Boiltanski's "Sans Soucis" ;
5. Nancy Miller: Putting Ourselves in the Picture: Memoirs and Mourning ;
6. Jane Gallop / Dick Balu: Observations of a Mother ;
7. Valerie Smith: Photography, Narrative and Ideology in "Suzanne Suzanne" and "Finding Christa" by Camille Billops and James V. Hatch ;
8. Art Spiegelman: Mein kampf (My Struggle) ;
PART II: Double Exposures :
9. Albert Chong: The Sisters and Aunt Winnie ;
10. Deborah Willis: A Search for Self: The Photograph and Black Family Life ;
11. Elizabeth Abel: Domestic Borders, Cultural Boundaries: Black Feminist Re-view the Family ;
12.Deborah McDowell: Viewing the Remains: A Polemic on Death, Spectacle and the [Black] Family ;
13. Marita Sturken: The Image as Memorial: Personal Photographs in Cultural Memory ;
14. Annette Kuhn: A Meeting of Two Queens: An Exercise in Memory Work ;
15. Leo Spitzer: The Album and the Crossing ;
PART III: Resisting Images :
16. Mieke Bal: All in the Family: Familiarity and Estrangement According to Marcel Proust ;
17. Laura Wexler: Seeing Sentiment: Photography, Race, and the Innocent Eye ;
18. Andrea Liss: Black Bodies in Evidence: Maternal Visibility in Renee Cox's Family Portraits ;
19. Joanne Leonard: Photography, Feminism, and the Good Enough Mother ;
20. Ann Burlein: Focusing on the Family: Family Pictures and the Politics of the Religious Right ;
21. Anne Higonnet: Conclusions Based on Observation ;
22. Larua Levitt: Blurring the Familial: An Afterword.
| Exemplaarnummer | R006776 |
| Instellingsnaam | |
| Signatuur | $T HIRSCH.M 1999 |