The Colonising Camera. Photographs in the making of Namibian History.

Texts :
PART I INTRODUCTION
1. Photography, history and memory ;
2. "This ideal conquest": photography and colonialism in Namibian history ;
3. Brent Harris: Photography in colonial discourse: the making of "the other" in southern Africa, c.1850-1950 ;
PART II EXHIBITION: THE COLONISING CAMERA :
PART III COMMENTARIES: FROM COLONISING CAMERA TO "HOW WE SEE EACH OTHER" :
4. Robert J. Gordon: Backdrops and Bushmen: an expeditious comment ;
5. Jan-Bart Gewald: Mirror Images? Photographs of Herero commemorations in the 1920s and 1930s ;
6. Wolfram Hartmann: Funerary photographs: the funeral of a chief ;
7. Marion Wallace: Looking at the locations: the ambiguities of urban photography ;
8. Jeremy Silvester: Your space or mine? The photography of the Police Zone ;
9. Margo Timm: Transpositions: the reinterpretation of colonial photographs of the Kwanyama king Mandume in the art of John Ndevasia Muafangejo ;
10. Paul S. Landau: Hunting with gun and camera: a commentary ;
11. Wolfram Hartmann: Performing gender, staging colonialism: camping it up / acting it out in Ovamboland ;
12. Michael Bollig: Framing Kaokoland ;
13. Patricia Hayes: Northern exposures: the photography of C.H.L. Hahn, Native Commissioner of Ovamboland 1915-1946 ;
14. Rick Rohde: How we see each other: subjectivity, photography and ethnographic re/vision ;
Bibliography / Index.