Visual Culture: The Reader.
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Exemplaarnummer Plaatscode Signatuur R006018 Ned. Fotomuseum $T EVANS.J 1999
TitelVisual Culture: The Reader.
Auteur
Fotograaf
Plaats van uitgaveLondon
UitgeverSage Publications Ltd
Jaar van uitgave1999
Pagina's478
Illustratiesb&w
FormaatA4
MateriaalTekstboek
DocumenttypeBoek
ISBN0-7619-62484
Annotatiepb; index;
TrefwoordReclame, Kunsttheorie, Authenticiteit, Kolonialisme en fotografie, Culturele studies en fotografie, documentaire fotografie, Feminisme en fotografie, Politiek en fotografie, Psychoanalyse en fotografie, Racisme en fotografie, Representatie en fotografie, Representatie van gehandicapte personen, Semiologie en fotografie, Stereotyperen, Theorie van de fotografie
Persoonstrefwoord Walton Hall Open University, Milton Keynes, GB
Samenvatting
Texts :
PART I. Cultures of the visual :
PART A. Rhetorics of the image :
1. Norman Bryson: The natural attitude ;
2. Roland Barthes: Rhetoric of the image ;
3. Victor Burgin: Art, common sense and photography ;
4. Roland Barthes: Myth today ;
PART B. Techniques of the visible :
5. Michel Foucault: Panopticism ;
6. Walter Benjamin: the work of art in the age of mechanical reproduction ;
7. Susan Sontag: The image-world ;
8. Guy Debord: Separation perfected ;
9. Dick Hebdige: the bottom line on planet one: squaring up to "The Face" ;
PART II. Regulating photographic meanings :
PART C. Theorizing photography :
10. Simon Watney: On the institutions of photography ;
11. Pierre Bourdieu: The social definition of photography ;
12. Allan Sekula: Reading an archive: photography between labour and capital ;
13. Rosalind Krauss: Photography's discursive spaces ;
PART D. Institutions and practices in photography :
14. Douglas Crimp: The museum's old, the library's new subject ;
15. Abigail Solomon-Godeau: Living with contradictions: critical practices in the age of supply-side aesthetics ;
16. John Tagg: Evidence, truth and order: a means of surveillance ;
17. Jessica Evans: Feeble monsters: making up disabled people ;
18. Don Slater: Marketing mass photography ;
PART III. Looking and Subjectivity :
PART E. Theoretical Perspectives :
19. Louis Althusser: Ideology and ideological state apparatuses ;
20. Sigmund Freud: Fetishism ;
21. Otto Fenichel: The scoptophilic instinct and identification ;
22. Kaja Silverman: The subject ;
23. Homi K. Bhabha: The other question: the stereotype and colonial discourse ;
PART F. Gendering the gaze :
25. Laura Mulvey: Visual pleasure and narrative cinema ;
26. Jackie Stacey: Desperately seeking difference ;
27. Jane Gaines: White privilege and looking relations: race and gender in feminist film theory ;
28. Jacqueline Rose: Sexuality in the field of vision ;
PART G. "Seeing" racial difference :
29. Frantz Fanon: The fact of blackness ;
30. Mary-Louise Pratt: Alexander von Humboldt and the reinvention of America ;
31. Kobena Mercer: Reading racial fetishism: the photographs of Mapplethorpe ;
32. Mary Ann Doane: Dark continents: epistemologies of racial and sexual difference in psychoanalysis and the cinema ;
33. Richard Dyer: White ;
Index.
PART I. Cultures of the visual :
PART A. Rhetorics of the image :
1. Norman Bryson: The natural attitude ;
2. Roland Barthes: Rhetoric of the image ;
3. Victor Burgin: Art, common sense and photography ;
4. Roland Barthes: Myth today ;
PART B. Techniques of the visible :
5. Michel Foucault: Panopticism ;
6. Walter Benjamin: the work of art in the age of mechanical reproduction ;
7. Susan Sontag: The image-world ;
8. Guy Debord: Separation perfected ;
9. Dick Hebdige: the bottom line on planet one: squaring up to "The Face" ;
PART II. Regulating photographic meanings :
PART C. Theorizing photography :
10. Simon Watney: On the institutions of photography ;
11. Pierre Bourdieu: The social definition of photography ;
12. Allan Sekula: Reading an archive: photography between labour and capital ;
13. Rosalind Krauss: Photography's discursive spaces ;
PART D. Institutions and practices in photography :
14. Douglas Crimp: The museum's old, the library's new subject ;
15. Abigail Solomon-Godeau: Living with contradictions: critical practices in the age of supply-side aesthetics ;
16. John Tagg: Evidence, truth and order: a means of surveillance ;
17. Jessica Evans: Feeble monsters: making up disabled people ;
18. Don Slater: Marketing mass photography ;
PART III. Looking and Subjectivity :
PART E. Theoretical Perspectives :
19. Louis Althusser: Ideology and ideological state apparatuses ;
20. Sigmund Freud: Fetishism ;
21. Otto Fenichel: The scoptophilic instinct and identification ;
22. Kaja Silverman: The subject ;
23. Homi K. Bhabha: The other question: the stereotype and colonial discourse ;
PART F. Gendering the gaze :
25. Laura Mulvey: Visual pleasure and narrative cinema ;
26. Jackie Stacey: Desperately seeking difference ;
27. Jane Gaines: White privilege and looking relations: race and gender in feminist film theory ;
28. Jacqueline Rose: Sexuality in the field of vision ;
PART G. "Seeing" racial difference :
29. Frantz Fanon: The fact of blackness ;
30. Mary-Louise Pratt: Alexander von Humboldt and the reinvention of America ;
31. Kobena Mercer: Reading racial fetishism: the photographs of Mapplethorpe ;
32. Mary Ann Doane: Dark continents: epistemologies of racial and sexual difference in psychoanalysis and the cinema ;
33. Richard Dyer: White ;
Index.
| Exemplaarnummer | R006018 |
| Instellingsnaam | |
| Signatuur | $T EVANS.J 1999 |