The art of interruption. Realism, photography and the everyday.
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Exemplaarnummer Plaatscode Signatuur R005594 Ned. Fotomuseum $T ROBERTS.J 1998
TitelThe art of interruption. Realism, photography and the everyday.
Auteur
Fotograaf
Plaats van uitgaveNew York, Manchester
Jaar van uitgave1998
Pagina's241
IllustratiesZwart-Wit en kleur
FormaatA4
MateriaalTekstboek
DocumenttypeBoek
ReeksThe Critical Image
ISBN0-7190-35619
Annotatiepb;
TrefwoordArbeiter-Fotograf, fototijdschrift, D, Authenticiteit, Autobiografische fotografie, Bauhaus, Kritische theorie en fotografie, documentaire fotografie, Ethiek en fotografie, Gezinsfotografie, Farm Security Administration, FSA, USA, Geschiedenis van de fotografie: SU (Sovjet Unie), Fototherapie, Politiek en fotografie, Propaganda met foto's, Psychoanalyse en fotografie, Representatie en fotografie, Representatie van gender (geslacht), Surrealisme en fotografie, Theorie van de fotografie, Digitale beeldbewerkingstechnieken, Buurtfotografie, Politiek en fotografie: D (Duitsland), Family of Man, New York, 1955 {tentoonstelling}, Politiek en fotografie: GB (Groot-Britannië), Geëngageerde fotografie: USA, Workers' Film and Photo League, London, GB, Geëngageerde fotografie: GB (Groot-Britannië), Politiek en fotografie: SU (Sovjet Unie)
Samenvatting
Chapters :
0. Intro: realism, contradiction and interpretation ;
1. Photohraphy, the everyday and the Russian revolution ;
2. Technique, technology and the everyday: German photographic culture in the 1920s and 1930s ;
3. The making of documentary: documentary after factography ;
4. The state, the everyday, and the archive ;
5. Surrealism, photography and the everyday ;
6. Inside Modernism: American photography and post-war culture ;
7. John Berger and Jean Mohr: the return to communality ;
8. The rise of theory and the critique of realism: photography in Britain in the 1980s ;
9. Disfiguring the ideal: the body, photography and the everyday ;
10. Jeff Wall: the social pathology of everyday life ;
11. Jo Spence: photography, empowerment and the everyday ;
12. Digital imagery and the critique of realism ;
Index.
0. Intro: realism, contradiction and interpretation ;
1. Photohraphy, the everyday and the Russian revolution ;
2. Technique, technology and the everyday: German photographic culture in the 1920s and 1930s ;
3. The making of documentary: documentary after factography ;
4. The state, the everyday, and the archive ;
5. Surrealism, photography and the everyday ;
6. Inside Modernism: American photography and post-war culture ;
7. John Berger and Jean Mohr: the return to communality ;
8. The rise of theory and the critique of realism: photography in Britain in the 1980s ;
9. Disfiguring the ideal: the body, photography and the everyday ;
10. Jeff Wall: the social pathology of everyday life ;
11. Jo Spence: photography, empowerment and the everyday ;
12. Digital imagery and the critique of realism ;
Index.
| Exemplaarnummer | R005594 |
| Instellingsnaam | |
| Signatuur | $T ROBERTS.J 1998 |