Image Ethics. The Moral Rights of Subjects in Photographs, Film, and Television.
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Exemplaarnummer Plaatscode Signatuur R003260 Ned. Fotomuseum $T GROSS.L 1988
TitelImage Ethics. The Moral Rights of Subjects in Photographs,
Film, and Television.
Auteur
Plaats van uitgaveNew York
UitgeverOxford University Press
Jaar van uitgave1988
Pagina's382
FormaatA4
MateriaalTekstboek
DocumenttypeBoek
ReeksCommunication and Society
ISBN0-19-5067800
Annotatiesel. annotated bibliography, pb;
TrefwoordEthiek en fotografie, Recht en fotografie, Fotografie als onderzoeksmethode, Fotojournalistiek, Representatie en fotografie, Representatie van seksuele verschillen, Ethiek en fotojournalistiek
Samenvatting
Texts:
0. H.S. Becker: Images, Ethics, and Organizations ;
1. Gross a.o.: Intro - A Moral Pause ;
2. B. Winston: The Tradition of the Victim in Griersonian
Documentary ;
3. A. Anderson / T. Benson: Direct Cinema and the Myth of
Informed
Consent: The Case of Toiticut Follies ;
4. L. Henderson: Access and Consent in Public Photography ;
5. R. Aibel: Ethics and Professionalism in Documentary
Film-making ;
6. Katz: Ethics and the Perception of ethics in
Autobiographical Film ;
7. J. Viera: Images as Property ;
8. Beauchamp / Klaidman: A Study in Multiple Forms of Bias ;
9. Gross: The Ethics of (Mis)representation ;
10. J. Shaheen: Perspectives on the Television Arab ;
11. J. Hostetler / D. Kraybill: Hollywood Markets the Amish ;
12. T. Volkman: Out of South-Africa: The Gods Must Be Crazy ;
13. T. Waugh: Lesbian and gay Documentary: Minority
Self-Imaging,
Oppositional Film Practice, and the Question of Image Ethics ;
Selected Annotated Bibliography.
0. H.S. Becker: Images, Ethics, and Organizations ;
1. Gross a.o.: Intro - A Moral Pause ;
2. B. Winston: The Tradition of the Victim in Griersonian
Documentary ;
3. A. Anderson / T. Benson: Direct Cinema and the Myth of
Informed
Consent: The Case of Toiticut Follies ;
4. L. Henderson: Access and Consent in Public Photography ;
5. R. Aibel: Ethics and Professionalism in Documentary
Film-making ;
6. Katz: Ethics and the Perception of ethics in
Autobiographical Film ;
7. J. Viera: Images as Property ;
8. Beauchamp / Klaidman: A Study in Multiple Forms of Bias ;
9. Gross: The Ethics of (Mis)representation ;
10. J. Shaheen: Perspectives on the Television Arab ;
11. J. Hostetler / D. Kraybill: Hollywood Markets the Amish ;
12. T. Volkman: Out of South-Africa: The Gods Must Be Crazy ;
13. T. Waugh: Lesbian and gay Documentary: Minority
Self-Imaging,
Oppositional Film Practice, and the Question of Image Ethics ;
Selected Annotated Bibliography.
| Exemplaarnummer | R003260 |
| Instellingsnaam | |
| Signatuur | $T GROSS.L 1988 |